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- Date Issued:
- 1995-01-01T00:00:00Z
- Data Provider:
- Michigan State University. Libraries
- Collection:
- Glendora Review
- Date Issued:
- 1981-01-01T00:00:00Z
- Data Provider:
- Michigan State University. Libraries
- Collection:
- Critical Arts
- Date Issued:
- 1980-06-01T00:00:00Z
- Data Provider:
- Michigan State University. Libraries
- Collection:
- Critical Arts
- Description:
- This article explores the nature of African cinema and the film-makers' responsibility to the African society, and how the consciousness of that responsibility based on African world views can be used to enable the society realize its highest goals and aspirations. It advocates the use of cinema, other mass media, human and material resources to fight Euro-American media distortions of the African heritage and reality. They should also be used to liberate Africa permanently from Euro- American market control over the continent. African culture, according to the article, should be the theoretical basis for a critical investigation and assessment of the African cinema. There is also the burning need to recognize the values of African cinema, to see it in a new light, to situate it within the complex movement of thought of the cultural milieu which produced It.
- Date Issued:
- 1988-01-01T00:00:00Z
- Data Provider:
- Michigan State University. Libraries
- Collection:
- Africa Media Review
- Date Issued:
- 1980-03-01T00:00:00Z
- Data Provider:
- Michigan State University. Libraries
- Collection:
- Critical Arts
- Description:
- Review of: Nicholas Pronay and D.W. Spring (eds.). Propaganda, politics, and film, 1918-45. London: Macmillan Press, 1982
- Date Issued:
- 1982-01-01T00:00:00Z
- Data Provider:
- Michigan State University. Libraries
- Collection:
- Critical Arts
- Description:
- This paper presents the problems of film makers and film making in Nigeria and points out how the problems are militating against the prospects of the Nigerian film industry. It proposes a radical restructing of the film industry in Nigeria in order to facilitate its indigenous development. To this end, it suggests the nationalization of the film distribution and exhibition sections so as to achieve a viable integration of the whole industry and to promote it as a vehicle for cultural-and socio-economic development of the people of Nigeria.
- Date Issued:
- 1989-01-01T00:00:00Z
- Data Provider:
- Michigan State University. Libraries
- Collection:
- Africa Media Review
- Description:
- Nigeria and India have both attempted to use the film industry for development but in both cases the full potential of the medium has been stymied by lack of government support and a general feeling of disinterest among the nations' populations. But there are directors and producers in each country who are attempting to raise their voices above the commercially dominated noise of their respective country's cinema. Film could be a strong tool for development. It can be used to contribute to a feeling of nationhood, as a voice for national planning, to help teach necessary skills, to extend the effective market, to help people look to the future, and to prepare people to play a role in nation building. But without serious changes in the structure of government relations with the cinema in Nigeria and India changes may not come. A few directors and producers in each nation have started to use cinema for development, but their efforts must be fostered by the national government to be effective.
- Date Issued:
- 1992-01-01T00:00:00Z
- Data Provider:
- Michigan State University. Libraries
- Collection:
- Africa Media Review
- Description:
- Review of: Bernard Williams (ed.). Obscenity and film censorship: an abridgement of the Williams report. Cambridge: Cambridge University Press, 1981
- Date Issued:
- 1982-01-01T00:00:00Z
- Data Provider:
- Michigan State University. Libraries
- Collection:
- Critical Arts
- Date Issued:
- 1983-01-01T00:00:00Z
- Data Provider:
- Michigan State University. Libraries
- Collection:
- Critical Arts