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Cistercians--Liturgy--Texts--Manuscripts
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- Notes:
- Bound in twentieth-century brown goatskin over boards., Initials in red, black, green, and yellow. f. 2r. Includes a 3-line decorated initial, Manuscript is two codices bound together. The first is a Cistercian Antiphonary from the mid-twelfth century from Italy and the second is an early thirteenth century hymnal. Selected pages., Pregothic, multiple hands; Hymnal in gothic textualis, Neumes, Belonged to and probably written at the Cistercian Abbey of S. Maria di Morimondo (founded 1134; Cottineau 1985 86), in the vicinity of Milan, Italy. The earliest portions of the manuscript were written before 1174, the date of the canonization of St Bernard of Clairvaux, the antiphons for whose feast were inserted soon after this date (ff. 66 70). This earlier portion seems to have been written by a French scribe. Jean Leclercq lists and describes other Morimondo mss. in 'Manuscrits Cisterciens dans des Bibliothèques d'Italie,' Analecta Sacri Ordinis Cisterciensis 7 (1951) 71 74; it is evident from his descriptions that later products of this scriptorium were not as austere as this one. The hymnary portion was written by Beltramus de Redoldis (sic; elsewhere Beltramus de Rioldis), a monk of Morimondo, in 1291. Morimondo was suppressed in 1799. Acquired in September, 1770, by Carlo Trivulzio. Trivulzio Belgioioso Trotti collection of Milan; sold to Hoepli (cat. 5); sale by Leavitt (New York, 27 Nov. 1886, no. 47; auction label on front pastedown). Purchased by Charles F. Gunther of Chicago; bequeathed to Historical Society of Chicago. Acquired for Gethsemani Abbey in April, 1922, through the mediation of J. Christian Bay, of the John Crerar Library, Chicago., and Abbey of Our Lady of Gethsemani (Trappist, Ky.)
- Data Provider:
- Western Michigan University. Libraries
- Notes:
- Bound in twentieth-century brown goatskin over boards, Initials in red, black, green, and yellow. f. 2r. Includes a 3-line decorated initial, Manuscript is two codices bound together. The first is a Cistercian Antiphonary from the mid-twelfth century from Italy and the second is an early thirteenth century hymnal., Pregothic, multiple hands; Hymnal in gothic textualis, Neumes, Belonged to and probably written at the Cistercian Abbey of S. Maria di Morimondo (founded 1134; Cottineau 1985 86), in the vicinity of Milan, Italy. The earliest portions of the manuscript were written before 1174, the date of the canonization of St Bernard of Clairvaux, the antiphons for whose feast were inserted soon after this date (ff. 66 70). This earlier portion seems to have been written by a French scribe. Jean Leclercq lists and describes other Morimondo mss. in 'Manuscrits Cisterciens dans des Bibliothèques d'Italie,' Analecta Sacri Ordinis Cisterciensis 7 (1951) 71 74; it is evident from his descriptions that later products of this scriptorium were not as austere as this one. The hymnary portion was written by Beltramus de Redoldis (sic; elsewhere Beltramus de Rioldis), a monk of Morimondo, in 1291. Morimondo was suppressed in 1799. Acquired in September, 1770, by Carlo Trivulzio. Trivulzio Belgioioso Trotti collection of Milan; sold to Hoepli (cat. 5); sale by Leavitt (New York, 27 Nov. 1886, no. 47; auction label on front pastedown). Purchased by Charles F. Gunther of Chicago; bequeathed to Historical Society of Chicago. Acquired for Gethsemani Abbey in April, 1922, through the mediation of J. Christian Bay, of the John Crerar Library, Chicago., and Abbey of Our Lady of Gethsemani (Trappist, Ky.)
- Data Provider:
- Western Michigan University. Libraries
- Notes:
- Excised from a larger manuscript., 4-line initial in red and in the margin with bowed and rounded strokes; 1-line initials and rubrics in red; capitals touched in red; irregular text size; Cistercian puntus flexus and puntus elevatus punctuation throughout; cues in the inner margin of verso., A leaf from a 12th-century Cistercian Missal once owned by Otto Ege containing the prayers said at the altar as well as all that is officially read or sung in celebrating the Mass over the course of the ecclesiastical year. Text taken from John 20:11. The text opens with Mass for the Tuesday within the Octave of Easter, celebrated on April 10. While the use of multi-colored initials was banned by Cistercian statutes, the ban was widely ignored, and the punctus flexus punctuation found here is typical of books written for the Order., 1 column of 24 lines lead point or very light ink ruling written in formal angular Protogothic minuscule in brown ink. Script conforms to the earlier Carolingian minuscule, except that the shapes have become slightly compressed and angular and developed little hooked feet. However the letters are well separated and have not evolved into the rows of minims of fully developed Gothic script. Text written above the top line. Prickings in inner margins. The number “40” written in pencil on top corner of recto., and Owned by Otto Ege who broke up the book. Since the style was imitated in monasteries throughout Europe, it can be very difficult to localise; Ege himself took this manuscript to be Spanish, but the Missal is now thought to be either south German or, more probably, Austrian. The parent manuscript included on f.105v an added Mass for St Robert of Molesmes, co-founder of Cîteaux, canonised in 1222. The parent manuscript (with 173 leaves and 13 large initials) was no 17 in the c.1928 auction catalogue of EMIL HIRSCH (1866-1954), which likely orginate from the Hohenfurth / Vyšší Brod monastery. Peter Kidd points out that Hirsch also owned two other manuscripts now at the British Library, both from Cistercian houses in southern Germany or Austria, one of which may have been written in 1191 for the Abbey of Wilhering, west of Linz.
- Data Provider:
- Western Michigan University. Libraries