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Western Michigan University. Libraries
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Manuscripts, Medieval--France
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detached leaves
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- Notes:
- Leaf was excised from a larger manuscript with cuts visible from previous binding. The leaf has suffered some water damage at the lower edge and is trimmed at the outer margin. Thin parchment likely prepared for a book that was meant to include all of the Bible in a single volume., Each new chapter is marked in the margin by a roman numeral in alternating red and blue letters (IX and X on the recto and XI on the verso). Each chapter begins on a new line, with a pen-flourished 4-line initial in the margin, alternating red with blue flourishing and blue with red flourishing. The text was systematically corrected by a scribe using an ink darker than that of the main text. There is a running head of "DA" on the verso and "NI" on the recto alternating red and blue. Text is written below the top line. The script displays many of the defining features of Northern Textualis, including fusion in the combinations be, de, do, ho, oc, og, oq, pe, and po, elision of cc and pp, use of round (2-shaped) r following o and p, use of the st ligature (and only the st ligature), and use of Tironian et (uncrossed, with the foot turning slightly to the right) indicating a library book script of moderately rapid execution. One feature--the tall, decorated ascenders on the top line of characters--is by Derolez's definition never found in a script of the highest, orformata, grade. Ink flaking from the fleshside with minimal loss of text., Leaf possibly from a Parisian Bible, from Daniel 8:9-10:3 (recto) and Daniel 10:3-11:31 (verso)., 2 columns of 63 lines written in Gothic Northern Textualis, similar to pearl script, ruled in lead with double bounding verticals (4 mm) and intercolumnation of 4 + 4 mm., and Evidence in the text, the manuscript, the quality of the parchment, the script, and the mise-en-page all point to the leaf’s origin as part of a complete Bible copied in Paris in the thirteenth century, the place and time of the golden age of manuscript Bible production. Accompanying documentation notes the leaf was exhibited at the Kalamazoo Institute of Arts in December 1965, at which time it was in the collection of the Lima (Ohio) Public Library. It had formerly been in the collection of the Cleveland manuscript collector and book seller Otto F. Ege (1888-1951).
- Date Created:
- [1200 TO 1299]
- Data Provider:
- Western Michigan University. Libraries
- Notes:
- Excised from a larger manuscript; prickings visible along the outer edges; binding holes along the inner margins., A 3-line initial in red and blue with pen flourishes, two 2-line initials alternating red and blue with contrasting pen flourishes; some initial letters touched in yellow and two letters extending into upper margin with ornamental cadels; small stains to edge, with slight affect to penwork of uppermost initial., A leaf from a Censier, a book of rents owed to the lordship of La Chapelle, with three entries., 1 column of ruled for 30 long lines in a Northern Textualis Gothic script, with 6 original lines or entries on recto, and nine on the verso; nine further near-contemporary lines added to the second entry on the recto in a similar hand., and It may have been produced as the personal copy of the seigneur. The site is likely to be identifiable as La Chapelle-Gaceline (Morbihan) in Brittany. The place-names, Caro, Le Tay and perhaps also La Gaial (perhaps La Gacilly), point to the immediate surrounds of La Chapelle-Gaceline.
- Data Provider:
- Western Michigan University. Libraries
- Notes:
- On verso: corrections in the inner margin in same script as main text., A cut in parchment in the outer margin of recto with no loss of text; stub of conjugate leaf is present; remnant of a mended cut in the inner margin, sewing holes visible; prickings visible on the outer and inner margins., Running title: on recto "GA" and verso "AD" alternating red and blue; biblical quotations underlined in red; 2-line initials in blue or blue with contrasting pen flourishes in red or blue; 1-line initials alternating red and blue., A leaf from Peter Lombard's Magna glossatura in Epistolas Pauli, glossed and written in the intercisum format. Peter Lombard developed the text in Paris in the second quarter of the 12th century during his teaching activities. It became one of the required readings of the faculty of Theology. The leaf is taken from Galatians 6:10. Biblical text is written in short blocks to the left of each column on every second ruled line, the gloss surrounding the biblical text on three sides., 2 columns of 55 lines lead point ruled written in early Gothic script; text written above the top line; on recto: letters written in lead point to indicate placement of colored initials; text written in intercisum format., and The format of the manuscript, and the quality of the parchment and decoration, suggest that this manuscript was intended for a wealthy abbot or bishop or a well-off scholar (see Frońska, Royal Manuscripts (2005)). The script and the decoration suggest a French production. According to Avril, 'Un manuscrit d'auteurs classiques' (1975), pp. 268-69, the decoration might be connected with the second artist of a manuscript containing classical works (Paris, BnF, MS lat. 7936) produced in Paris. Although there are common features between the initials of both manuscripts, 'their historiated initials cannot be ascribed to the same hand' according to Frońska, Royal Manuscripts (2011). A Parisian Bible produced around 1200, now Berlin, Staatsbibliothek Preussischer Kulturbesitz, MS theol. lat. fol. 9, is close to this manuscript in script and decoration (see Ayres, 'Parisian Bibles' (1982), 5-13).
- Data Provider:
- Western Michigan University. Libraries
- Notes:
- Excised from a larger manuscript. Housed in a mat frame (255 x 205 mm) with dealer’s prospectus on back of the mat frame., 1-line illuminated initial on a ground of blue with a rinceaux design in blue and red extending into the margin. Rubricated in red. 1-line intials alternating red and blue with contrasting pen flourishes in red or blue. On recto, text of the first line rubric has faded completely. Large initial "D" on recto opens a prayer. Prickings in the inner margin., Leaf from a Book of Hours with text opening to devotional prayers petitioning for Saint Anthony’s intercession., 1 column of 15 lines ruled in red ink written in Northern Textualis Gothic script. Change of hands on verso., and Purchased from Boyd Mackus of the Mackus Company, Springfield, Illinois, by Western Michigan University Special Collections, (M3404E).
- Date Created:
- [1500 TO 1599]
- Data Provider:
- Western Michigan University. Libraries
- Notes:
- Chapter division unit beside the inner column on recto. Correction along outer column of recto. Cue mark for chapter 3 in red on verso. “Notas” annotation on verso., Housed in a mat frame (260 x 205 mm), visible on one side only with dealer’s prospectus on the back of the frame. Excised from a larger manuscript., 6-line historiated initial painting of Tobius, asleep. On recto: 5-line decorated initial in blue enclosing vines on a ground of orange; rubricated in red. Running head on recto reads "TOBIE" in alternating red and blue capitals, and on verso reads: "TO." On recto: 5-line initial P in blue with red pen florishes extending into the margins, 2-line initial T in red with blue pen florishes that extend the inner column and into the upper and lower margins. Pearl script on either side of the running title. Capitals touched in red. Guide letter for the Roman numberal III in the inner margin. Roman numbers alternate red and blue., A leaf from a small bible with painted initials before the prologue and first chapter of Tobit. The initials painted on this leaf are stylistically similar to the work of professional artists working in Paris, possibly Johannes Grusch atelier. Historiated initial illustrates Tobit, eyes closed and covered with a blanket, reclining in bed, enclosed by a hybrid animal. Intial decorated with marginal extenders., 2-column of 45 lines ruled in lead written in small gothic textualis (pearl script)., and Based on evidence in the text, this Bible was likely decorated by artists from Paris in the third quarter of the thirteenth century, c. 1250-1270. The motifs and colors used in the red and blue pen initials can be compared with Paris, BnF, MS lat. 16541 (Stirnemann, 1990, no. 39, and p. 70). The style of the painted initials can be compared most closely with the later products of the Johannes Grusch workshop, a rather diverse stylistic group active in the second and third quarters of the thirteenth century (Branner, 1977, appendix VK. pp. 222-223).
- Data Provider:
- Western Michigan University. Libraries
- Notes:
- Edges browning and cracked where the cutting was folded. Small scuffs and stains. Text trimmed away on upper, outer and lower edges., 2-line initial in red with faded blue pen florishes extending into the margin. Ink flaking from recto. Remnant of a single red rubric on recto., Small cutting with the remant of Isidore of Seville’s Etymologies, beginning at Liber 2, section 21, on the figures of words and expressions (De figuris verborum et setentiarum). The Etymologies (also called the Origins) is divided into 20 books concerning a subject-area., and 1 column with the remains of 26 lines ruled in dark red ink written in Protogothic script.
- Data Provider:
- Western Michigan University. Libraries