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Manuscripts, Latin (Medieval and modern)
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Manuscripts, Medieval--France
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- Notes:
- Leaf was excised from a larger manuscript; stub of conjugate leaf still visible., 2-line blue and red pen-flourished initials and blue and red paraphs., Thirteenth-century, French glossed bible leaf with the Latin Vulgate, Luke 4:25-31 and a Glossa ordinaria., early gothic textualis formata; the gloss text in littera glossularis, and Produced in France in the early part of the thirteenth century. Markings on the recto: "B8" in lower right corner and "79" in upper right corner, both in pencil. Markings on verso: "hm 66/db11" in upper left corner, "10672a9R10S0/25T" in lower left corner and "$1,250, Bible Paris, c1220-30" in lower middle margin, all in pencil. Purchased from Phillip J. Pirages, McMinnville, Oregon by Special Collections, Waldo Library November in 2006.
- Data Provider:
- Western Michigan University. Libraries
- Notes:
- Chapter division unit beside the inner column on recto. Correction along outer column of recto. Cue mark for chapter 3 in red on verso. “Notas” annotation on verso., Housed in a mat frame (260 x 205 mm), visible on one side only with dealer’s prospectus on the back of the frame. Excised from a larger manuscript., 6-line historiated initial painting of Tobius, asleep. On recto: 5-line decorated initial in blue enclosing vines on a ground of orange; rubricated in red. Running head on recto reads "TOBIE" in alternating red and blue capitals, and on verso reads: "TO." On recto: 5-line initial P in blue with red pen florishes extending into the margins, 2-line initial T in red with blue pen florishes that extend the inner column and into the upper and lower margins. Pearl script on either side of the running title. Capitals touched in red. Guide letter for the Roman numberal III in the inner margin. Roman numbers alternate red and blue., A leaf from a small bible with painted initials before the prologue and first chapter of Tobit. The initials painted on this leaf are stylistically similar to the work of professional artists working in Paris, possibly Johannes Grusch atelier. Historiated initial illustrates Tobit, eyes closed and covered with a blanket, reclining in bed, enclosed by a hybrid animal. Intial decorated with marginal extenders., 2-column of 45 lines ruled in lead written in small gothic textualis (pearl script)., and Based on evidence in the text, this Bible was likely decorated by artists from Paris in the third quarter of the thirteenth century, c. 1250-1270. The motifs and colors used in the red and blue pen initials can be compared with Paris, BnF, MS lat. 16541 (Stirnemann, 1990, no. 39, and p. 70). The style of the painted initials can be compared most closely with the later products of the Johannes Grusch workshop, a rather diverse stylistic group active in the second and third quarters of the thirteenth century (Branner, 1977, appendix VK. pp. 222-223).
- Data Provider:
- Western Michigan University. Libraries
- Notes:
- Bound in an unusual binding, probably contemporary, made from two pieces of brown leather, sewn together horizontally, which is stitched over pasteboards formed from ten leaves from other manuscripts (now partially visible at the top, front, and along the fore edge, back). The leather turn-ins are covered with a paper leaf, now fragmentary, in the front, and by leather in the back. Part of this leather is broken off, and is now laid in, sewn on three leather bands, stitched through the inside of the covers in a “v” pattern. Lighter brown leather (sheepskin?) spine, probably later, with three raised bands with the title in gilt between the first and second in a gold square, “Regl de S. Benoit Manuscr 13 Sciecl [sic].” Remains of leather tie, front cover, with a hole in the back cover, presumably from another tie, now missing, and showing considerable wear, including a second small hole in the back cover near the spine, and with corners and some edges of the leather covers worn away. Middle of each gathering reinforced with parchment strips from another manuscript., Tail and fore edge of a codex containing the Commentary on the Rule of St. Benedict by Bernard Ayglerius (d. 1282), Abbot of Monte Cassino. Leather is worn at the corners and edges showing the underlying “board” made of 10 leaves from other manuscripts., and From dealer description: Written in the later decades of the 15th century, probably ca. 1480-1500, in central or southwestern France, as indicated by the style of the script and the watermark. Popular in 15th century Benedictine and Cistercian monasteries, the text is likely copied for a monastic library. Only one sale of this text is listed in the Schoenberg Database. Medieval shelf-mark, bottom margin, ff. 1 and 83, “B 63,” in both cases preceded by four erased words, “C de C.” Armorial bookplate, front flyleaf for the Bibliothèque de Monseir le Baron de Caix de Saint-Aymour,” with motto, “Fortior in adversis.” the Baron Amédée Caix de Saint Aymour was the mayor of Corbie (1863-1920), educated at the l’Ecole des chartes and at the l’Ecoles des langues orientales. Octagonal paper label on front cover edged in blue from 19th century French book deal, “Manuscript, 13ième siècle.” Purchased by Western Michigan University Special Collections from Les Enluminures (TM 432).
- Date Created:
- [1480 TO 1500]
- Data Provider:
- Western Michigan University. Libraries
- Notes:
- Bound in an unusual binding, probably contemporary, made from two pieces of brown leather, sewn together horizontally, which is stitched over pasteboards formed from ten leaves from other manuscripts (now partially visible at the top, front, and along the fore edge, back). The leather turn-ins are covered with a paper leaf, now fragmentary, in the front, and by leather in the back. Part of this leather is broken off, and is now laid in, sewn on three leather bands, stitched through the inside of the covers in a “v” pattern. Lighter brown leather (sheepskin?) spine, probably later, with three raised bands with the title in gilt between the first and second in a gold square, “Regl de S. Benoit Manuscr 13 Sciecl [sic].” Remains of leather tie, front cover, with a hole in the back cover, presumably from another tie, now missing, and showing considerable wear, including a second small hole in the back cover near the spine, and with corners and some edges of the leather covers worn away. Middle of each gathering reinforced with parchment strips from another manuscript., Upper cover of a codex containing the Commentary on the Rule of St. Benedict by Bernard Ayglerius (d. 1282), Abbot of Monte Cassino. Raised band spine. Binding made from two pieces of leather, sewn together horizontally. Octagonal paper label on front cover edged in blue from 19th century French book deal, “Manuscript, 13ième siècle.” Remains of a leather tie on the front cover. Multiple holes from wear and worms., 1 column of 27-30 lines in blind ruling with full length bounding lines (justification: 110-107 x 80-75 mm) written in a cursive gothic bookhand., and From dealer description: Written in the later decades of the 15th century, probably ca. 1480-1500, in central or southwestern France, as indicated by the style of the script and the watermark. Popular in 15th century Benedictine and Cistercian monasteries, the text is likely copied for a monastic library. Only one sale of this text is listed in the Schoenberg Database. Medieval shelf-mark, bottom margin, ff. 1 and 83, “B 63,” in both cases preceded by four erased words, “C de C.” Armorial bookplate, front flyleaf for the Bibliothèque de Monseir le Baron de Caix de Saint-Aymour,” with motto, “Fortior in adversis.” the Baron Amédée Caix de Saint Aymour was the mayor of Corbie (1863-1920), educated at the l’Ecole des chartes and at the l’Ecoles des langues orientales. Octagonal paper label on front cover edged in blue from 19th century French book deal, “Manuscript, 13ième siècle.” Purchased by Western Michigan University Special Collections from Les Enluminures (TM 432).
- Date Created:
- [1480 TO 1500]
- Data Provider:
- Western Michigan University. Libraries
- Notes:
- Edges browning and cracked where the cutting was folded. Small scuffs and stains. Text trimmed away on upper, outer and lower edges., 2-line initial in red with faded blue pen florishes extending into the margin. Ink flaking from recto. Remnant of a single red rubric on recto., Small cutting with the remant of Isidore of Seville’s Etymologies, beginning at Liber 2, section 21, on the figures of words and expressions (De figuris verborum et setentiarum). The Etymologies (also called the Origins) is divided into 20 books concerning a subject-area., and 1 column with the remains of 26 lines ruled in dark red ink written in Protogothic script.
- Data Provider:
- Western Michigan University. Libraries
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