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- Description:
- Assistant Professor Marcie Ray, of the Michigan State University College of Music, delivers a presentation entitled, "'Grease' and the remasculinization of America". Ray says that the film adaptation of the musical, "Grease," is a nostalgic look at 1950s rock and roll and, a particular masculine ideal. Ray also says that the movie spoke to a large segment of Americans who felt threatened by the rise of disco and it's associations with alternative masculinity and sexuality and that the film responds to what amounted to a moral panic about the death of rock music, because that death heralded the decline of white, middle-class, heterosexual dominance. MSU Music Librarian Mary Black Junttonen introduces Ray, as part of the MSU Libraries Colloquia Series, cosponsored by Music in American Life. Held in the MSU Main Library.
- Date Issued:
- 2015-04-15T00:00:00Z
- Data Provider:
- Michigan State University. Libraries
- Collection:
- G. Robert Vincent Voice Library Collection
- Description:
- Classic Hits. Red and white font on top of a purple background. Reverse side: in black WKLH/96 FM: Milwaukee’s Home Of Classic Hits.
- Data Provider:
- Michigan State University. Libraries
- Collection:
- Midwest Chicano Latino Activism Collection (MICHILAC)
- Description:
- Assistant Professor Marcie Ray, of the Michigan State University College of Music, delivers a presentation entitled, "'Grease' and the remasculinization of America". Ray says that the film adaptation of the musical, "Grease," is a nostalgic look at 1950s rock and roll and, a particular masculine ideal. Ray also says that the movie spoke to a large segment of Americans who felt threatened by the rise of disco and it's associations with alternative masculinity and sexuality and that the film responds to what amounted to a moral panic about the death of rock music, because that death heralded the decline of white, middle-class, heterosexual dominance. MSU Music Librarian Mary Black Junttonen introduces Ray, as part of the MSU Libraries Colloquia Series, cosponsored by Music in American Life. Held in the MSU Main Library.
- Date Issued:
- 2015-04-15T00:00:00Z
- Data Provider:
- Michigan State University. Libraries
- Collection:
- G. Robert Vincent Voice Library Collection
- Description:
- Portrait of Jerry Lee Lewis at the microphone. "Jerry Lee Lewis is the wild man of rock and roll, embodying its most reckless and high-spirited impulses, on such piano-pounding rockers from the late Fifties as “Whole Lotta Shakin’ Goin’ On” and “Great Balls of Fire,” Lewis combined a ferocious, boogie-style instrumental style with rowdy, uninhibited vocals, he migrated to Memphis from Ferriday, Louisiana, where he’d grown up learning how to play piano by ear based on the music around him: Western swing, boogie-woogie, uptempo R&B and Delta blues. Lewis’ first influence was the country-blues sound of Jimmie Rodgers, although he also absorbed the gospel and R&B of the local black community," from the Rock and Roll Hall of Fame website.
- Notes:
- Collection located at the Walter P. Reuther Library, Archives of Labor and Urban Affairs, Wayne State University, Detroit, Michigan. To schedule an appointment to view the original image, order high resolution copies, or seek permission to use an image, contact the Walter P. Reuther Library Audiovisual Department at reutherreference@wayne.edu., Walter P. Reuther Library, Archives of Labor and Urban Affairs, Wayne State University, and This metadata was created by Wayne State University Library system based on original description by the Walter P. Reuther Library
- Date Issued:
- 1980-01-10T00:00:00Z
- Data Provider:
- Wayne State University. Libraries and Walter P. Reuther Library
- Collection:
- Virtual Motor City
- Description:
- Portrait of Jerry Lee Lewis at the microphone. "Jerry Lee Lewis is the wild man of rock and roll, embodying its most reckless and high-spirited impulses, on such piano-pounding rockers from the late Fifties as “Whole Lotta Shakin’ Goin’ On” and “Great Balls of Fire,” Lewis combined a ferocious, boogie-style instrumental style with rowdy, uninhibited vocals, he migrated to Memphis from Ferriday, Louisiana, where he’d grown up learning how to play piano by ear based on the music around him: Western swing, boogie-woogie, uptempo R&B and Delta blues. Lewis’ first influence was the country-blues sound of Jimmie Rodgers, although he also absorbed the gospel and R&B of the local black community," from the Rock and Roll Hall of Fame website.
- Notes:
- Collection located at the Walter P. Reuther Library, Archives of Labor and Urban Affairs, Wayne State University, Detroit, Michigan. To schedule an appointment to view the original image, order high resolution copies, or seek permission to use an image, contact the Walter P. Reuther Library Audiovisual Department at reutherreference@wayne.edu., Walter P. Reuther Library, Archives of Labor and Urban Affairs, Wayne State University, and This metadata was created by Wayne State University Library system based on original description by the Walter P. Reuther Library
- Date Issued:
- 1980-01-10T00:00:00Z
- Data Provider:
- Wayne State University. Libraries and Walter P. Reuther Library
- Collection:
- Virtual Motor City