Search Constraints
Number of results to display per page
Search Results
- Notes:
- Contemporary binding of tawed leather over beveled wooden boards; marks from a clasp once on edge of front cover; inscription on front cover: Martyrologe de Nangis terres de l’eglise de Nangis; prickings along the outer margin on some leaves; worm holes along the surface and tail of the wooden boards., The lower board of a Register of anniversary days when services are to be performed for the dead. Mainly comprised of a calendar which mentions for each day the names of the donors to be honored by a mass, or the names of the relevant saints honored locally. Some of the donors listed have been crossed out, their donation having expired, and other prestigious families such as the Montmorency-Bouchard family, have been respectfully preserved., and Written in Nangis, France over the period of the late 13th to early 16th centuries. Jointly purchased by Western Michigan University and the Newberry Library in 2007.
- Date Created:
- [1200 TO 1625]
- Data Provider:
- Western Michigan University. Libraries
- Notes:
- Acanthus border in red, green, blue and beige, highlighted with gold; coat of arms; ten line initial depicting St. Bernard; blue-grey lion framed in the acanthus; red, green, blue, and beige initials, A decorated page with an illuminated initial depicting St Bernard lecturing to monks. Ruled in lead; pricked along outer margin; rubricated, and Stamp of Minutoli-Tegrimi family of Lucca nearly effaced. Obtained for Gethsemani Abbey from Davis and Orioli of London in 1926. Abbot Edmund Obrecht's description tipped in on first pastedown
- Data Provider:
- Western Michigan University. Libraries
- Notes:
- Bound in twentieth-century brown goatskin over boards., Initials in red, black, green, and yellow. f. 2r. Includes a 3-line decorated initial, Manuscript is two codices bound together. The first is a Cistercian Antiphonary from the mid-twelfth century from Italy and the second is an early thirteenth century hymnal. Selected pages., Pregothic, multiple hands; Hymnal in gothic textualis, Neumes, Belonged to and probably written at the Cistercian Abbey of S. Maria di Morimondo (founded 1134; Cottineau 1985 86), in the vicinity of Milan, Italy. The earliest portions of the manuscript were written before 1174, the date of the canonization of St Bernard of Clairvaux, the antiphons for whose feast were inserted soon after this date (ff. 66 70). This earlier portion seems to have been written by a French scribe. Jean Leclercq lists and describes other Morimondo mss. in 'Manuscrits Cisterciens dans des Bibliothèques d'Italie,' Analecta Sacri Ordinis Cisterciensis 7 (1951) 71 74; it is evident from his descriptions that later products of this scriptorium were not as austere as this one. The hymnary portion was written by Beltramus de Redoldis (sic; elsewhere Beltramus de Rioldis), a monk of Morimondo, in 1291. Morimondo was suppressed in 1799. Acquired in September, 1770, by Carlo Trivulzio. Trivulzio Belgioioso Trotti collection of Milan; sold to Hoepli (cat. 5); sale by Leavitt (New York, 27 Nov. 1886, no. 47; auction label on front pastedown). Purchased by Charles F. Gunther of Chicago; bequeathed to Historical Society of Chicago. Acquired for Gethsemani Abbey in April, 1922, through the mediation of J. Christian Bay, of the John Crerar Library, Chicago., and Abbey of Our Lady of Gethsemani (Trappist, Ky.)
- Data Provider:
- Western Michigan University. Libraries
- Notes:
- Flesh side distinct from hair side; high quality parchment., Three full-length bar borders of gold with pen florishes supporting foliage; 4-line initial "A" with miniature of St. John in tempera colors and gold. Rubrication in red. Five 2-line initials in gold on a ground of blue or mauve with white tracery. 1-line initials in gold or blue with contrasting pen florishes. Three full-length bar borders of gold with terminal or marginal sprays or scrolling penwork tendrils supporting flowers, foliage, and gold disks. Ink faded on both sides., A leaf from the Llangattock Breviary, which orginally comprised more than 500 leaves. The leaf consists of text from the Actus Apostolorum 2:40 - 3:9. The Breviary was created as a luxury liturgical manuscript for Leonello d'Este (1407-1450), Marchese of Ferrara, by illuminator Giorgio d'Almagna and assistants during the years 1441-1448. Leaves from the Llangattock Breviary are among the collections of the following institutions: Harvard, U.C. Berkeley, American Academy in Rome, Michigan State, U. South Carolina, University of Washington, Hill Monastic Manuscript Library, Dartmouth College, the Louvre Museum, and Museo Schifanoia in Ferrara. Many leaves are still offered for sale in the book trade., 2 columns of 30 lines in brown ink written in Gothic Textualis rotunda., and "All aspects of the leaf--size, format, and illumination--correspond to those of the Missel of Borso d'Este, marquis and then duke of Ferrara (Modena, Biblioteca Estense, Ms W.5.2., lat. 239) and the Breviary was certainly made either for him or his predecessor Leonello and intended, like the Missal, for the ruler's chapel. It is usually identified with the Breviary record in accounts in the d'Este archives as having been illuminated for Leonello by Giorgio d'Alemagna." -- from dealer's description
- Date Created:
- [1441 TO 1448]
- Data Provider:
- Western Michigan University. Libraries
- Notes:
- Manuscript is a legal opinion in the dispute between the Cistercian abbey of Cambron and the college of canons regular of Collégiale Saint-Vincent de Soignies. The canons had accused the Cistercian monks of illegally occupying land in Sars Moullet. 1 scroll (two membranes stitched end to end) written in charter hand, dark brown ink.
- Data Provider:
- Western Michigan University. Libraries
- Notes:
- Textual capitals touched in red, 2-line initials in red; Four illustrations in dark brown, red, yellow, and green., Mid-fifteenth century Middle English and Latin prayer roll featuring four illustrations. Part of the personal collection of Mr. Toshiyuki Takamiya, MA, FSA, HoLittD, Professor Emeritus, Keio University., Rounded gothic bookhand, and Composed in England (Tewekesbury?). Purchased by Mr. Takamiya at St. John's Seminary, Wonersh on December 8, 1975 from lot 68.
- Date Created:
- [1435 TO 1450]
- Data Provider:
- Western Michigan University. Libraries
- Notes:
- Bound in modern red leather in 1993 by Donald Taylor of Toronto, spine lettered in gilt on a black leather label, “Excerpta Legendae Aureae, s. XIII.” Gatherings interleaved by paper stubs, with modern cloth slipcase. Previously “loosely wrapped” in the four folios from a Breviary, removed by the Bergendal Collection and bound separately as MS 161. First and last flyleaves are modern paper., Parchment is soft, and soiled, especially in the lower corners. Original imperfections include uneven lower margins, ff. 4, 14, and 24, and small holes in the lower margins of f. 20, and in the outer margin, f. 26 and 35. Majuscules within the text stroked with red. Red paragraph marks throughout text. Two-line and one-line red initials throughout: f. 38, two-line red initial, highlighted in yellowish-gold., Tail and ff. 25v - 26r of a personal collection of excerpts from the Legenda aurea and seven sermons from the Sermones de tempore, unbound until modern times and protected by a few leaves from another manuscript (MS 161)., Written by two scribes: the first scribe copied ff. 1-26v, outer column (the first text) below the top ruled line in a quick upright gothic noting script, and the second scribe copied the second text, f. 26v, middle of outer column to the end, in a quick heavily-abbreviated gothic bookhand. Ruled in ink throughout with single vertical bounding lines inside, outside and between the columns, horizontal rulings vary: ff. 1-8, with the top, third and bottom two rules full across on most folios, ff. 8v-14v, with the top, third, bottom and fourth from the bottom rules full across, ff. 15-27, with the bottom and penultimate rules full across; ff. 27v-end, with the bottom rule full across, prickings in the three outer margins, with a double row of prickings in the outer margin on ff. 8-14, ff. 1-6v, (justification, 123 x 90-87 mm.), written below the top ruled line in two columns of thirty-eight lines, ff. 7-8, (justification, 130 x 98 mm.), copied below the top line in two columns of twenty-eight lines, ff. 8v-end, (justification, 137-134 x 98-97 mm.), with ff. 8v-30, written in two columns of thirty-three lines and ff. 31-end, in two columns, thirty-two lines., and From dealer description: Based on evidence of the script, manuscript was likely copied at the end of the 13th century or beginning of the 14th century. The script of the first scribe may be on the earlier side of the range dates, but uncertain given the informality of both scripts. Both scribes, use the reversed “c” to abbreviate “con” and a quick form of the abbreviation for “est” (Latin for “is”) which suggest an orgin in Germany, possibliy South Germany. The first scribe varies his layout (justification, number of lines, and ruling pattern), which is a characteristic of an informal, perhaps owner-produced manuscript. Fifteenth century(?) notation, bottom margin of f. 1 in bold gothic ink: "S.de3" in a different hand. Purchased by Joseph Pope (1921-2010) of Toronto from Sam Fogg in 1993. Purchased by Western Michigan University Special Collections from Les Enluminures (TM 579).
- Date Created:
- [1280 TO 1325]
- Data Provider:
- Western Michigan University. Libraries
- Notes:
- Bound in modern red leather in 1993 by Donald Taylor of Toronto, spine lettered in gilt on a black leather label, “Excerpta Legendae Aureae, s. XIII.” Gatherings interleaved by paper stubs, with modern cloth slipcase. Previously “loosely wrapped” in the four folios from a Breviary, removed by the Bergendal Collection and bound separately as MS 161. First and last flyleaves are modern paper., Parchment is soft, and soiled, especially in the lower corners. Original imperfections include uneven lower margins, ff. 4, 14, and 24, and small holes in the lower margins of f. 20, and in the outer margin, f. 26 and 35. Majuscules within the text stroked with red. Red paragraph marks throughout text. Two-line and one-line red initials throughout: f. 38, two-line red initial, highlighted in yellowish-gold., A personal collection of excerpts from the Legenda aurea and seven sermons from the Sermones de tempore, unbound until modern times and protected by a few leaves from another manuscript (see MS 161). The text begins at the chapter Historia De Sancto Thoma Apostolo. The excerpts from the Legenda aurea (the Golden Legend) reference the Maggioni edition. The “Golden Legend” or the “Legend of the Saints” was said to have been the most frequently copied text during the Middle Ages apart from the Bible due to its production at University centers, and its use as a standard text in Dominican houses of study. The Sermones de tempore was one of three collections of model sermons based on the liturgical year by Jacobus, and used as sources for sermons by preachers across Europe., Written by two scribes: the first scribe copied ff. 1-26v, outer column (the first text) below the top ruled line in a quick upright gothic noting script, and the second scribe copied the second text, f. 26v, middle of outer column to the end, in a quick heavily-abbreviated gothic bookhand. Ruled in ink throughout with single vertical bounding lines inside, outside and between the columns, horizontal rulings vary: ff. 1-8, with the top, third and bottom two rules full across on most folios, ff. 8v-14v, with the top, third, bottom and fourth from the bottom rules full across, ff. 15-27, with the bottom and penultimate rules full across; ff. 27v-end, with the bottom rule full across, prickings in the three outer margins, with a double row of prickings in the outer margin on ff. 8-14, ff. 1-6v, (justification, 123 x 90-87 mm.), written below the top ruled line in two columns of thirty-eight lines, ff. 7-8, (justification, 130 x 98 mm.), copied below the top line in two columns of twenty-eight lines, ff. 8v-end, (justification, 137-134 x 98-97 mm.), with ff. 8v-30, written in two columns of thirty-three lines and ff. 31-end, in two columns, thirty-two lines., and From dealer description: Based on evidence of the script, manuscript was likely copied at the end of the 13th century or beginning of the 14th century. The script of the first scribe may be on the earlier side of the range dates, but uncertain given the informality of both scripts. Both scribes, use the reversed “c” to abbreviate “con” and a quick form of the abbreviation for “est” (Latin for “is”) which suggest an orgin in Germany, possibliy South Germany. The first scribe varies his layout (justification, number of lines, and ruling pattern), which is a characteristic of an informal, perhaps owner-produced manuscript. Fifteenth century(?) notation, bottom margin of f. 1 in bold gothic ink: "S.de3" in a different hand. Purchased by Joseph Pope (1921-2010) of Toronto from Sam Fogg in 1993. Purchased by Western Michigan University Special Collections from Les Enluminures (TM 579).
- Date Created:
- [1280 TO 1325]
- Data Provider:
- Western Michigan University. Libraries
- Notes:
- Modern limp vellum binding, with two pairs of fastening vellum ties., Front cover of a processional containing music primarily for chants for the Temporale. Cover includes leather pegs for thongs attachment and the uneven pages of the fore-edge., and Country of production suggested by instructions in Spanish on recto and verso of f. 61; verso of first parchment guard leaf contains ownership inscription “Alfonso Lopez.” Stamp reading “Newberry Library” on f. 1 verso. Joint purchase by Western Michigan University and the Newberry Library in 1996.
- Data Provider:
- Western Michigan University. Libraries
- Notes:
- Eighteenth-century binding of smooth tawed leather over cardboard with three sewing support, green and white endbands, label in brown ink at head of spine reading “Semon | es Sancti | Ca’sarij.” Imprints and holes remaining on front and back cover from two ties, the traces of which are visible through paper pastedowns. Some concave warping of boards and discoloration and/or staining of cover and pastedowns. Paper bookplate on inner pastedown of the Bibliothèque du Plessis-Villoutreys including escutcheon with crown above and motto “Dis peu Fais mieux” below. Minor buckling in the first three leaves due to tight binding., Fore edge of a small miscellany of texts of various sermons which feature many marginal drawings and notae., and Written in several hands at the end of the 14th century or beginning of the 15th century in southern France, possibly Avignon, as suggested by the style of the initials, and to a lesser extend the script, which features some elements borrowed from the Papal Chancery, then in Avignon. Datable between 1369 (it includes a papal bull by Urban V (r. 1362-70) issued on 4 April 1369) and ca. 1400. Given the inclusion of the rule of St. Augustine and Hugh of St. Victor’s commentary on the Rule, the codex was likely made for one of the many groups of canons or monks who followed this Rule, including Augustinian Hermits (Agustin Friars), Dominicans, Praemonstratensians, Trinitarians, Regular Canons, and others. Evidence of the first sixteen sermons (ff. 1-80) by Clements VII link the manuscript to the Celestine priory established in 1392. A bookplate of the Bibliothèque du Plessis-Villoutreys indicates ownership by the Marquis de Villoutreys, probably in the last quarter of the 19th century. Possibly part of a private European Collection at some point. Purchased by Western Michigan University Special Collection from Les Enluminures (TM 992).
- Date Created:
- [1369 TO 1400]
- Data Provider:
- Western Michigan University. Libraries