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- Notes:
- Bound in contemporary blind-tooled reddish brown calf over wooden boards. Leather stamped with a central panel of ogival lozenges, each enclosing a central botanical stamp, the whole framed by multiple blind rules and by a broad border of vines and flowers. Original brass bosses and clasps on corner and center of both covers. Two pairs of claps on fore edge catching on upper cover. Tooling includes central panel and rosette and vine-like patterns. Both boards damaged by worms., 1 and 2 line initials in red passim, some with flourishing extending into the margin. Cross symbols in red passim throughout text. Major divisions of text are marked by leather tabs., A Missal Abreviatum, in latin with contemporary blindpressed calf over wooden boards, open to ff. 32v - 33r. Major divisions of text are marked by leather tabs., 1 column of 20 lines ruled in lead with single boundary lines and written in gothic textualis script. Text on ff. 24r-37v, written in larger gothic textualis script in 12 lines long., and Internal evidence, in particular the commemoration of St. Rasso, a local count (d. 954) of Diessen-Andechs, suggests the manuscripts was produced in the monastery of the Augustinian canons regular at Diessen (Cottineau 1: 964) at the southern end of Ammersee. Dated “1491” in contemporary hand on f. 1v. Sold to Phillip J. Pirages by a dealer in German sometime before 1993. Purchased by Western Michigan University Special Collections from Phillip J. Pirages Fine Books in 1993.
- Date Created:
- 1491-01-01T00:00:00Z
- Data Provider:
- Western Michigan University. Libraries
- Notes:
- Bound in modern red leather in 1993 by Donald Taylor of Toronto. Spine lettered in gilt, “Fragmentum Breviarii, s. XIII.” Gatherings interleaved by paper stubs, with modern cloth slipcase. Previously used as a “loose wrap” for the four folios containing excerpts from Jacobus de Vorgaine’s Legenda aura and Sermones de tempore, removed by the Bergendal Collection and bound separately as MS 160. First two and last two flyleaves are modern paper., Two 2-line intials in red with simple red pen florishes. Paragraph markers in red. A few small worm holes in the margins. Modern foliation in pencil top outer corner recto. All leaves are darkened and soiled, although ff. 1-2 are legible, especially at the edges. F. 3 damaged in the inner margin with some loss of text, part of f. 3 and ff. 3v-4v are mostly illegible due to damp. Prickings top margin. Majuscules touched in red., A small personal collection of excerpts unbound until modern times, and which once protected the leaves of MS 160. The original structure is uncertain and missing an unknown number of leaves between f. 2 and f. 3. The four leaves are from a monastic breviary and include the following feasts: Barbara (4 December), beginning imperfectly; Lucy (13 December); Apostle Thomas (21 December), Agnes (21 January), beginning imperfectly; Vincent (22 January); Conversion of Paul (25 January); second feast of Agnes (28 January), short fragment, ending imperfectly., 2 columns of about 32-33 lines in mostly undetectable ruling. Traces of single vertical bounding lines in ink or lead remain between the columns. Written by two scribes in a gothic bookhand., and “Based on the evidence of the script, this was written in Germany at the end of the 13th century. The text, although fragmentary, suggests that these leaves were from a monastic rather than secular, breviary (one nocturn with four lessons are provided for the feast of St. Lucy). Possibily waste leaves never used for a manuscript (see the backward two-line red “n” on f. 4). They were used as a wrapper for this copy of extracts from the Golden Legend and sermons by Jacobus de Vorgaine by the fifteenth or early 16th century, when the contents were recorded in the lower margin of f. 1. The writer listed the contents as “Legends” of St. Barbara and St. Lucy, ignoring that these leaves were originally from a breviary, and emphasizing the content that was in keeping with the manuscript these leaves were being used to protect. Belonged to Joseph Pope (1921-2010) of Toronto, investor banker and prominent collector of medieval manuscripts, where it was Bergendal Collection MS 24 (described in Pope, 1999, and online, Bergendal Collection). Purchased by Pope from Sam Fogg, London, October 1993.” --from dealer description. Purchased by Western Michigan University Special Collections from Les Enluminures (TM 579).
- Date Created:
- [1275 TO 1300]
- Data Provider:
- Western Michigan University. Libraries
- Notes:
- Excised from a larger manuscript. Housed in a mat frame (255 x 205 mm) with dealer’s prospectus on back of the mat frame., 1-line illuminated initial on a ground of blue with a rinceaux design in blue and red extending into the margin. Rubricated in red. 1-line intials alternating red and blue with contrasting pen flourishes in red or blue. On recto, text of the first line rubric has faded completely. Large initial "D" on recto opens a prayer. Prickings in the inner margin., Leaf from a Book of Hours with text opening to devotional prayers petitioning for Saint Anthony’s intercession., 1 column of 15 lines ruled in red ink written in Northern Textualis Gothic script. Change of hands on verso., and Purchased from Boyd Mackus of the Mackus Company, Springfield, Illinois, by Western Michigan University Special Collections, (M3404E).
- Date Created:
- [1500 TO 1599]
- Data Provider:
- Western Michigan University. Libraries
- Notes:
- Leaf was excised from a larger manuscript., On recto: in the middle of outer column there is a single five-line initial "h" in blue with red penwork details infilled with blue and red pen florishes, and red and blue decorations trailing up and down the column. Larger versal initials are sometimes tipped in ochre wash. Above the initial, running head "TE" alternating red and blue. On verso: The running head "DEV" (Deuteronomy) appears at the top of the page. Minor cuts to the outer edges of the leaf., Manuscript leaf from a Bible written in Latin during the 13th century, containing text from Deuteronomy 5:22-6:25., 2 column of 33 lines, ruled in plummet in Littera Gothica Textualis Formata with lateral compression., and Flanders or South Netherlands, possibly Tournai. Probably broken by Erich von Scherling (Scherling, 102; History of Western Script, 55). Von Sherling’s source seems to have been a bound fragment of leaves from Leviticus 3 to Judges 2. It must have been volume 1 of a 4 volume Bible, of which, 2-3 appear to be Brussels, Bibliothèque royale, MS II.2523, and volume 4 may be Los Angles, J. Paul Getty Museum MS Ludwig 1.9. The Brussels volumes had belonged to Sir Thomas Phillipps, who bought them in the late 1820s with the residue of the library of St Martin in Tournai, noting ruefully that the first volume had been sold in his absence and “destroyed by a bookseller at Brussels” (Phillipps, Catalogus Librorum Manuscriptorum, 1837, entry for MS 2011; A. N. L. Munby, Phillips Studies, III, 1954, 22, n. 1; C. de Hamel in Migrations, Medieval Manuscripts in New Zealand, ed. Hollis and Barratt, 2007, 42-3). The first item in the catalogue of St Martin’s abbey in Tournai in 1615 was ‘Biblia 4. Voluminibus” (Sanderus, Bibliotheca Belgica Manuscripta, 1, 1641, p. 91). The leaf was eventually sold by Swann Galleries (New York, 22 March 1990) as part of lot 75 to the celebrated manuscript collector, Martin Schøyen, in whose collection it was catalogued as Schøyen MS 82 (History of Western Scripts, 102).
- Data Provider:
- Western Michigan University. Libraries
15. Book of Hours
- Notes:
- On f. 1r, inscription in light brown. Inscriptions referring to Jehan de Montagu, possibly a previous owner, on f. 54r, “Le Seigneur de Montagu a joute ... 20 Septembre 1781” and on f. 96r, “Jehan de Montagu, Sieur de os....” Notation in margins in pencil noting psalm chapters (modern, not vulgate). Modern pencil numbering on lower margins of each leaf recto., Bound in post-medieval limp vellum. Two parchment ties on the fore edge, now broken. Collation is erratic with numberous excisions and repairs to gatherings; the manuscript may have been made up originally of odds and ends of parchment, the situation being further confused by modern rebinding, loss of leaves, and probably excisions of illuminations., Rubricated in red. 1-line blue and red initials throughout text. 2-line blue and red initials with occasional purple pen flourishes passim. On f. 7v, 5-line illuminated initial D in red and blue on gold and enclosing flowers and vines. Acanthus - like motif extending into the margins. Gold flaking from marginal shapes and showing cracks in the initial. Ink burn on later leaves. Text on f. 113v illegible and faded., A book of devotions which includes various psalms and an illuminated initial at the begining of Psalm 70. Text includes passages from pro santis of vespers, imperfectly; Psalm 128 of compline; instructions for Sabboth from Advent through Christmas; instructions for antiphons and psalms for offices of nones, vespers, compline, and the Blessed Virgin from Advent to Pentecost; Penitential Psalms beginning in the middle of Psalm 6; Litany of Saints; Office of the Dead with abbreviated ending; and Gradual Psalms (incipits only) ending at Psalm 126., 1 column of 11-12 lines ruled sporadically in dry point and lead with several gatherings at the end made up of parchment ruled for another purpose. On ff. 75-82: double columns, oriented perpendicular to text. On ff. 113-114: originally ruled for two columns of text with more and narrower lines than the existing text. Text is written in gothic textualis formata. Some pricking in the outer margins only, mostly trimmed., and Written in Italy in the 14th century. Possibly Augustinian canon origin: Saint Augustine is singled out among the bishops and confessors as “Peter Augustine.” In the 18th century, codex belonged to Jehan de Montagu based on inscriptions on f. 54r and f. 96r. Notation in margins in pencil noting psalm chapters (modern, not vulgate). Obtained by Jean Roos from Otto F. Ege of Cleveland Ohio at an unknown date. Given to Western Michigan University by Jean Roos on 25th anniversary of the founding of WMU School of Librarianship in 1970.
- Data Provider:
- Western Michigan University. Libraries
- Notes:
- Many small marginal drawings which include maniculae extending from sleeves of red, blue, and yellow, often reaching from twinkling clouds and holding flowers, vines, or banderoles containing notae or catchwords (examples on ff. 50v, 52, 63v, 66v, 77, 82v, 90, 102, 189v). Other miniatures, some also holding notae and catchwords, are of rosy-cheeked angels (ff. 53v, 58v, 108v, 122v, 130v, 146v, 205v) with yellow hair and their garments, halos, and wings highlighted in red, blue, orange, and yellow. Further marginal drawings, some also bearing banderoles, include crosses and columns (ff. 42v. 44v, 47v, 106v, 177v), a man in a miniature boat (f. 55), lions (ff. 98v and 162v), a bird (f. 154v), a tiny empty tunic (f. 119v), and a monk (f. 138v)., Eighteenth-century binding of smooth tawed leather over cardboard with three sewing support, green and white endbands, label in brown ink at head of spine reading “Semon | es Sancti | Ca’sarij.” Imprints and holes remaining on front and back cover from two ties, the traces of which are visible through paper pastedowns. Some concave warping of boards and discoloration and/or staining of cover and pastedowns. Paper bookplate on inner pastedown of the Bibliothèque du Plessis-Villoutreys including escutcheon with crown above and motto “Dis peu Fais mieux” below. Minor buckling in the first three leaves due to tight binding., Majuscules, letter ascenders and descenders are flourished and washed in yellow throughout. Paraphs marks in blue. Rubics in red. Numberous 2-to-8-line initials in alternating red and blue with contrasting pen flourishes. 6-line parted red and blue initial with pen decoration (f. 92v). One initial in brown holds the face of a young monk (f. 28r). Catchwords, most in banderoles, in tiny miniatures. Some leaves trimmed with occasional loss of some pen flourishings and text., Created during the pinnacle of Avignon’s historical importance, this small miscellany of texts with various sermons features whimiscal drawings in its margins. The marginal ink drawings, all carefully colored, include decorated pointed hands (maniculae) with elaborate sleeves, angels, lions, and a man in a boat. The texts gathered include sermons and monastic rules and the commentaries, which speak to the concerns of the original owner. The miscenllany of texts include selections of sermons from the Regula by Augustine; the Homilia VI-IX by Caesarius of Arles; the Homilia III by Eucherius of Lyon; the Sermo castigationis by Eusebius Gallicanus; the Sermo 23 by Caesrarius of Arles, which could also be attributed to Faustus of Riez; the Regula Sancti Augustini by St. Augustine of Hippo; the Expositio in Regulam Beati Augustini by Hugh of St. Victor; the Bullarum Romanum 4 by Pope Benedict XII; the Corpus iuris canonici by Pope Urban V; and the Homilia II, Homilia VIII, and Homilia X by Eusebius Gallicanus. First and last leaves soiled with no loss of text. Water damage on ff. 15v-16 resulting in the blurring of about 30% of the text along the inner margin. Minute wormhole in first line of the last five leaves. Minor soiling of outer and bottom margins throughout., Text written in 17-21 long lines on ff. 1-184 and 16-19 long lines on ff. 184v-213v by several contemporary scribes in a compact script, except ff. 184v-213v in a larger and freer hand, all in a skilled French cursive tending towards lettre batarde featuring documentary-style flourishing in bottom, outer, and occasionallly upper margins. Frame ruling in faint graphite with bounding lines extending to edges (justification c. 85-95 x 65 mm). Most incipits in an upright and rigid Gothic textualis. Larger text size starting on f. 184v, possibly a change of hands., and Written in several hands at the end of the 14th century or beginning of the 15th century in southern France, possibly Avignon, as suggested by the style of the initials, and to a lesser extend the script, which features some elements borrowed from the Papal Chancery, then in Avignon. Datable between 1369 (it includes a papal bull by Urban V (r. 1362-70) issued on 4 April 1369) and ca. 1400. Given the inclusion of the rule of St. Augustine and Hugh of St. Victor’s commentary on the Rule, the codex was likely made for one of the many groups of canons or monks who followed this Rule, including Augustinian Hermits (Agustin Friars), Dominicans, Praemonstratensians, Trinitarians, Regular Canons, and others. Evidence of the first sixteen sermons (ff. 1-80) by Clements VII link the manuscript to the Celestine priory established in 1392. A bookplate of the Bibliothèque du Plessis-Villoutreys indicates ownership by the Marquis de Villoutreys, probably in the last quarter of the 19th century. Possibly part of a private European Collection at some point. Purchased by Western Michigan University Special Collection from Les Enluminures (TM 992).
- Date Created:
- [1369 TO 1400]
- Data Provider:
- Western Michigan University. Libraries
- Notes:
- Leaf excised from a larger manuscript., 5-line decorated initial in blue on red, enclosing foliage and strawberry, with gold pen florishes. Three-quarter border of acanthus motif in gold, blue, green and red, partially cropped. Rubric in red., Text begins with a prepartory prayer before the Sacramental Confession, from the Paradisus Animae. Text at the enlarged inital begins the Obsecro te (I beseech Thee) prayer, a prayer to the Virgin., 1 column of 25 lines ruled in red ink and written in Cursiva Formata (bastarda) script., and "acq. Ex gold S.L. '65" --from dealership description. Accompanying documentation notes the leaf was purchased by Tom Krol from David Grath in early 1980s. The inclusion of the latter prayer, Obsecro te, helps date this manuscript fragment to the late 15th century.
- Date Created:
- [1400 TO 1499]
- Data Provider:
- Western Michigan University. Libraries
- Notes:
- Chapter division unit beside the inner column on recto. Correction along outer column of recto. Cue mark for chapter 3 in red on verso. “Notas” annotation on verso., Housed in a mat frame (260 x 205 mm), visible on one side only with dealer’s prospectus on the back of the frame. Excised from a larger manuscript., 6-line historiated initial painting of Tobius, asleep. On recto: 5-line decorated initial in blue enclosing vines on a ground of orange; rubricated in red. Running head on recto reads "TOBIE" in alternating red and blue capitals, and on verso reads: "TO." On recto: 5-line initial P in blue with red pen florishes extending into the margins, 2-line initial T in red with blue pen florishes that extend the inner column and into the upper and lower margins. Pearl script on either side of the running title. Capitals touched in red. Guide letter for the Roman numberal III in the inner margin. Roman numbers alternate red and blue., A leaf from a small bible with painted initials before the prologue and first chapter of Tobit. The initials painted on this leaf are stylistically similar to the work of professional artists working in Paris, possibly Johannes Grusch atelier. Historiated initial illustrates Tobit, eyes closed and covered with a blanket, reclining in bed, enclosed by a hybrid animal. Intial decorated with marginal extenders., 2-column of 45 lines ruled in lead written in small gothic textualis (pearl script)., and Based on evidence in the text, this Bible was likely decorated by artists from Paris in the third quarter of the thirteenth century, c. 1250-1270. The motifs and colors used in the red and blue pen initials can be compared with Paris, BnF, MS lat. 16541 (Stirnemann, 1990, no. 39, and p. 70). The style of the painted initials can be compared most closely with the later products of the Johannes Grusch workshop, a rather diverse stylistic group active in the second and third quarters of the thirteenth century (Branner, 1977, appendix VK. pp. 222-223).
- Data Provider:
- Western Michigan University. Libraries
19. Vocabularium
- Notes:
- Bound in German gothic-style binding with worn tooled leather over wooden boards. Tooled in lozenge patterns with criss-cross fillet work with daisey-like stamps in each lozenge. Sewn over 5 bands. Front and rear boards are detached. 17th or 18th century re-backing. Spine title reads: Codex / Manuscriptus / Vocabularium / Formicarus / Speculi / Historialis / Sec. XV. Pastedowns and flyleaves probably contemporary with re-backing., Initials in red and blue and red highlighting passi, ff. 4r-157v; red paraphs. Signed with letters and Arabic numbers, catchwords on some leaves, many cropped. 9- and 8-line initials on ff. 4r. 5- to 2-line initials throughout., Vocabularium, in Latin, containing various texts. Contents include: fragment from a Latin dictionary, beginning in the middle of an entry for dies and ending in the beginning of the entry for diripio (ff. 1-2v); O.P., Summa de casibus conscientiae; concluding remarks about the completion of the original text in Pisa, 1338 and the death of brother Bartholomew in 1348 (ff. 4-157v); Iohannes Nider, Formicarius (ff. 162r-183r); and Vincent of Beauvais, Speculum Historiale Book 8, imperfect (ff. 187r-205r). Several watermarks including a “P” like Briquet, 8531; arms emblazoned with three fleurs-de-lis and a dangling “t” like Briquet, 1739 or 1741; a “Y” like Briquet, 9183/4; two keys, like Briquet, 3822; a unicorn like Briquet, 9992-9995., Written in various gothic hybrida hands with cursiva influence and with many abbreviations. Changes of hands between f. 2 and f. 4, f. 55v and f. 56r. Sporadically ruled with frames., and Written in Germany in the middle of the 15th century. 16th century manuscript note on f. 2v refers to early provenance: “Iste liber spectat ad bibliothecam Hoermersum.” Nineteeth century auction label of Geo. A. Leavitt & Co., of New York, N. Y., no. 1580, on front pastedown. Twentieth century label of William Salloch, of New York, N. Y., on rear pastedown. Deposited in 1985 by the Cistercian Abbey of Our Lady of Springback, Sparta, Wisconsin.
- Date Created:
- [1425 TO 1475]
- Data Provider:
- Western Michigan University. Libraries
- Notes:
- Excised from a larger manuscript., 4-line initial in red and in the margin with bowed and rounded strokes; 1-line initials and rubrics in red; capitals touched in red; irregular text size; Cistercian puntus flexus and puntus elevatus punctuation throughout; cues in the inner margin of verso., A leaf from a 12th-century Cistercian Missal once owned by Otto Ege containing the prayers said at the altar as well as all that is officially read or sung in celebrating the Mass over the course of the ecclesiastical year. Text taken from John 20:11. The text opens with Mass for the Tuesday within the Octave of Easter, celebrated on April 10. While the use of multi-colored initials was banned by Cistercian statutes, the ban was widely ignored, and the punctus flexus punctuation found here is typical of books written for the Order., 1 column of 24 lines lead point or very light ink ruling written in formal angular Protogothic minuscule in brown ink. Script conforms to the earlier Carolingian minuscule, except that the shapes have become slightly compressed and angular and developed little hooked feet. However the letters are well separated and have not evolved into the rows of minims of fully developed Gothic script. Text written above the top line. Prickings in inner margins. The number “40” written in pencil on top corner of recto., and Owned by Otto Ege who broke up the book. Since the style was imitated in monasteries throughout Europe, it can be very difficult to localise; Ege himself took this manuscript to be Spanish, but the Missal is now thought to be either south German or, more probably, Austrian. The parent manuscript included on f.105v an added Mass for St Robert of Molesmes, co-founder of Cîteaux, canonised in 1222. The parent manuscript (with 173 leaves and 13 large initials) was no 17 in the c.1928 auction catalogue of EMIL HIRSCH (1866-1954), which likely orginate from the Hohenfurth / Vyšší Brod monastery. Peter Kidd points out that Hirsch also owned two other manuscripts now at the British Library, both from Cistercian houses in southern Germany or Austria, one of which may have been written in 1191 for the Abbey of Wilhering, west of Linz.
- Data Provider:
- Western Michigan University. Libraries
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