Search Constraints
« Previous |
61 - 70 of 78
|
Next »
Search Results
- Notes:
- As a punishment camp for Allied officers, usually men who had attempted to escape from other camps, there were not many options for prisoners for recreation. This French prisoner is passing time by drawing sketches of battle scenes to decorate the walls of the ward at Cologne (Koeln).
- Date Created:
- 1918-01-01T00:00:00Z
- Data Provider:
- Western Michigan University. Libraries
- Notes:
- Painting on the fore-edge of "Les enfants de l'amour" by Eugene Sue of a lakeside scene of a walled town from the water with several boats resting on shore at low tide. Artist Retsof or Foster is unknown.
- Date Created:
- 1850-01-01T00:00:00Z
- Data Provider:
- Grand Valley State University. University Libraries
- Notes:
- Painting on the fore-edge of vol. 2 of "Osmond: a tale" by Mary Ann Kelty of a single-masted ship on the River Thames with the Tower of London in the middle distance.
- Date Created:
- 1822-01-01T00:00:00Z
- Data Provider:
- Grand Valley State University. University Libraries
- Notes:
- One side of a double painting on the fore-edge of "Our mutual friend" by Charles Dickens. When the leaves are fanned one way, a portrait of the author as an older man with vignettes from David Copperfield and A Christmas Carol is displayed, when fanned the other way a portrait of the author as a young man with vignettes from The Pickwick Papers and Oliver Twist is displayed.
- Date Created:
- 1865-01-01T00:00:00Z
- Data Provider:
- Grand Valley State University. University Libraries
- Notes:
- Painting on the fore-edge of "The poetical works of William Cowper." Image is based on "The Diverting History of John Gilpin," a comic ballad by Cowper, about a man who lost control of his horse.
- Date Created:
- 1853-01-01T00:00:00Z
- Data Provider:
- Grand Valley State University. University Libraries
- Notes:
- Painting on the fore-edge of "The Works of Edgar Allan Poe." Image of the protagonist of Pit and the Pendulum is based on illustration by Arthur Rackham. The figure appears gaunt and terrified, clad only in his "wrapper of coarse serge." Standing at the rim of the pit, he is surrounded by ghoulish figures with their "demon eyes, of a wild and ghastly vivacity." Top edges are crowded with red-eyed bats and tail edges with rats. Painting is signed with monogram MF.
- Date Created:
- 1899-01-01T00:00:00Z
- Data Provider:
- Grand Valley State University. University Libraries
- Notes:
- Postcard advertising Jack Kevorkian's exhibit at the Armenian Library and Museum of America in Watertown, Mass., September 19 through October 24, 1999. On front of the postcard is a reproduction of Kevorkian's painting "Paralysis"
- Date Issued:
- 1999-01-01T00:00:00Z
- Data Provider:
- University of Michigan. Bentley Historical Library
- Collection:
- Bentley Image Bank, Bentley Historical Library
- Notes:
- Color photograph of painting by Jack Kevorkian .
- Data Provider:
- University of Michigan. Bentley Historical Library
- Collection:
- Bentley Image Bank, Bentley Historical Library
- Notes:
- Photograph of Kevorkian's painting "Brotherhood," set up on an easel. Photograph was taken by Kevorkian's sister Margo Janus.
- Data Provider:
- University of Michigan. Bentley Historical Library
- Collection:
- Bentley Image Bank, Bentley Historical Library
- Notes:
- Color photograph of painting by Jack Kevorkian "Very Still Life" (oil)
- Data Provider:
- University of Michigan. Bentley Historical Library
- Collection:
- Bentley Image Bank, Bentley Historical Library
