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detached leaves
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- Notes:
- Leaf was excised from a larger manuscript with cuts visible from previous binding. The leaf has suffered some water damage at the lower edge and is trimmed at the outer margin. Thin parchment likely prepared for a book that was meant to include all of the Bible in a single volume., Each new chapter is marked in the margin by a roman numeral in alternating red and blue letters (IX and X on the recto and XI on the verso). Each chapter begins on a new line, with a pen-flourished 4-line initial in the margin, alternating red with blue flourishing and blue with red flourishing. The text was systematically corrected by a scribe using an ink darker than that of the main text. There is a running head of "DA" on the verso and "NI" on the recto alternating red and blue. Text is written below the top line. The script displays many of the defining features of Northern Textualis, including fusion in the combinations be, de, do, ho, oc, og, oq, pe, and po, elision of cc and pp, use of round (2-shaped) r following o and p, use of the st ligature (and only the st ligature), and use of Tironian et (uncrossed, with the foot turning slightly to the right) indicating a library book script of moderately rapid execution. One feature--the tall, decorated ascenders on the top line of characters--is by Derolez's definition never found in a script of the highest, orformata, grade. Ink flaking from the fleshside with minimal loss of text., Leaf possibly from a Parisian Bible, from Daniel 8:9-10:3 (recto) and Daniel 10:3-11:31 (verso)., 2 columns of 63 lines written in Gothic Northern Textualis, similar to pearl script, ruled in lead with double bounding verticals (4 mm) and intercolumnation of 4 + 4 mm., and Evidence in the text, the manuscript, the quality of the parchment, the script, and the mise-en-page all point to the leaf’s origin as part of a complete Bible copied in Paris in the thirteenth century, the place and time of the golden age of manuscript Bible production. Accompanying documentation notes the leaf was exhibited at the Kalamazoo Institute of Arts in December 1965, at which time it was in the collection of the Lima (Ohio) Public Library. It had formerly been in the collection of the Cleveland manuscript collector and book seller Otto F. Ege (1888-1951).
- Date Created:
- [1200 TO 1299]
- Data Provider:
- Western Michigan University. Libraries
- Notes:
- Housed in a frame (255 x 190mm), one side visible only., 1 line initials alternating blue and red, some with contrasting red or blue pen flourishes. Some initials and decoration fading., Portion of Psalm 26:6-9 from a prayer book with pen flourished initials, some faded., 1 column of 14 lines ruled in lead. Text written in gothic textualis formata., and Origin unknown. Evidence in text - the script and decoration - suggest late 13th - early 14th century. In pencil at the bottom of visible part of leaf: “1300-1350 A.D.” Notes on back of frame: “Religious Service Book” in ink; “Lowrie Collection” in pencil; sticker for Suzanne’s Art Centre, Kalamazoo, Michigan. Loaned by Gethsemani Abbey Library, Kentucky to Western Michigan University Library School through Jean Lowrie in 1974. Now permanently held by Special Collections.
- Date Created:
- [1275 TO 1350]
- Data Provider:
- Western Michigan University. Libraries
- Notes:
- Flesh side distinct from hair side; high quality parchment., Three full-length bar borders of gold with pen florishes supporting foliage; 4-line initial "A" with miniature of St. John in tempera colors and gold. Rubrication in red. Five 2-line initials in gold on a ground of blue or mauve with white tracery. 1-line initials in gold or blue with contrasting pen florishes. Three full-length bar borders of gold with terminal or marginal sprays or scrolling penwork tendrils supporting flowers, foliage, and gold disks. Ink faded on both sides., A leaf from the Llangattock Breviary, which orginally comprised more than 500 leaves. The leaf consists of text from the Actus Apostolorum 2:40 - 3:9. The Breviary was created as a luxury liturgical manuscript for Leonello d'Este (1407-1450), Marchese of Ferrara, by illuminator Giorgio d'Almagna and assistants during the years 1441-1448. Leaves from the Llangattock Breviary are among the collections of the following institutions: Harvard, U.C. Berkeley, American Academy in Rome, Michigan State, U. South Carolina, University of Washington, Hill Monastic Manuscript Library, Dartmouth College, the Louvre Museum, and Museo Schifanoia in Ferrara. Many leaves are still offered for sale in the book trade., 2 columns of 30 lines in brown ink written in Gothic Textualis rotunda., and "All aspects of the leaf--size, format, and illumination--correspond to those of the Missel of Borso d'Este, marquis and then duke of Ferrara (Modena, Biblioteca Estense, Ms W.5.2., lat. 239) and the Breviary was certainly made either for him or his predecessor Leonello and intended, like the Missal, for the ruler's chapel. It is usually identified with the Breviary record in accounts in the d'Este archives as having been illuminated for Leonello by Giorgio d'Alemagna." -- from dealer's description
- Date Created:
- [1441 TO 1448]
- Data Provider:
- Western Michigan University. Libraries
- Notes:
- Excised from a larger manuscript; prickings visible along the outer edges; binding holes along the inner margins., A 3-line initial in red and blue with pen flourishes, two 2-line initials alternating red and blue with contrasting pen flourishes; some initial letters touched in yellow and two letters extending into upper margin with ornamental cadels; small stains to edge, with slight affect to penwork of uppermost initial., A leaf from a Censier, a book of rents owed to the lordship of La Chapelle, with three entries., 1 column of ruled for 30 long lines in a Northern Textualis Gothic script, with 6 original lines or entries on recto, and nine on the verso; nine further near-contemporary lines added to the second entry on the recto in a similar hand., and It may have been produced as the personal copy of the seigneur. The site is likely to be identifiable as La Chapelle-Gaceline (Morbihan) in Brittany. The place-names, Caro, Le Tay and perhaps also La Gaial (perhaps La Gacilly), point to the immediate surrounds of La Chapelle-Gaceline.
- Data Provider:
- Western Michigan University. Libraries
- Notes:
- On verso: corrections in the inner margin in same script as main text., A cut in parchment in the outer margin of recto with no loss of text; stub of conjugate leaf is present; remnant of a mended cut in the inner margin, sewing holes visible; prickings visible on the outer and inner margins., Running title: on recto "GA" and verso "AD" alternating red and blue; biblical quotations underlined in red; 2-line initials in blue or blue with contrasting pen flourishes in red or blue; 1-line initials alternating red and blue., A leaf from Peter Lombard's Magna glossatura in Epistolas Pauli, glossed and written in the intercisum format. Peter Lombard developed the text in Paris in the second quarter of the 12th century during his teaching activities. It became one of the required readings of the faculty of Theology. The leaf is taken from Galatians 6:10. Biblical text is written in short blocks to the left of each column on every second ruled line, the gloss surrounding the biblical text on three sides., 2 columns of 55 lines lead point ruled written in early Gothic script; text written above the top line; on recto: letters written in lead point to indicate placement of colored initials; text written in intercisum format., and The format of the manuscript, and the quality of the parchment and decoration, suggest that this manuscript was intended for a wealthy abbot or bishop or a well-off scholar (see Frońska, Royal Manuscripts (2005)). The script and the decoration suggest a French production. According to Avril, 'Un manuscrit d'auteurs classiques' (1975), pp. 268-69, the decoration might be connected with the second artist of a manuscript containing classical works (Paris, BnF, MS lat. 7936) produced in Paris. Although there are common features between the initials of both manuscripts, 'their historiated initials cannot be ascribed to the same hand' according to Frońska, Royal Manuscripts (2011). A Parisian Bible produced around 1200, now Berlin, Staatsbibliothek Preussischer Kulturbesitz, MS theol. lat. fol. 9, is close to this manuscript in script and decoration (see Ayres, 'Parisian Bibles' (1982), 5-13).
- Data Provider:
- Western Michigan University. Libraries
- Notes:
- Housed in a mat frame (160 x 110 mm)., 6-line historiated and illuminated initial painting of St. Agnes of Rome with a simple white face and rosy cheeks, holding a lamb possibly in the Nonnenarbeiten style, which is associated with predominately female monastic deocation of their devotional books. Rubrication in red. On verso, a 2-line intial O decorated in red with faded brown pen florishes., Single leaf from a devotional Prayer Book featuring St. Agnes holding a lamb enclosed in an illuminated initial O. Text opens with a prayer to St. Agnes for the Feast of St. Agnes, celebrated on January 21., 1 column of 14-15 lines ruled in dry point written in Gothic Textualis script., and "The illumination on recto is in the style named Nonnenarbeiten (see J. Hamburger, Nuns as Artists, the Visual Culture of a Medieval Convent, 1997), and associated with predominantly female monastic decoration of their own devotional books." --from dealer description on inside cover of the frame.
- Date Created:
- [1440 TO 1460]
- Data Provider:
- Western Michigan University. Libraries
- Notes:
- Traces of earlier sewing slits appear in the middle margin, along the fold of the bifolium, possibily from the original binding. “Framed sometime before 1979, removed from frame 5-21-2010.” --from dealer description., On f. 1v, 5 line illuminated inital “B” on a field of gold, enclosing white floral pattern on a field of blue. Illumintated three-quarter border with sprays of light brown ivy and bezants on hairline stems and with fruit and flowers forms. Gold flaking from initial and bezants. Single line initials in gold and blue throughout text. Rubricated in red. On f. 1r and f. 2v, 2 line initial in blue., One bifolum from a Book of Hours in Dutch featuring illuminated marginal decoration and initial., 1 column of 18 lines ruled in drypoint and written in gothic texutalis libraria. Pricking in outer margins., and Produced in Flanders in the 15th century. Sticker on the back of frame readers “The Bonfoey Co... Clevelend, O.” Loaned to WMU Library School through Jean Lowrie from the Gethsemani Abbey Library of Kentucky in 1974, and now permanently held by Special Collections.
- Data Provider:
- Western Michigan University. Libraries
- Notes:
- Excised from a larger manuscript. Housed in a mat frame (255 x 205 mm) with dealer’s prospectus on back of the mat frame., 1-line illuminated initial on a ground of blue with a rinceaux design in blue and red extending into the margin. Rubricated in red. 1-line intials alternating red and blue with contrasting pen flourishes in red or blue. On recto, text of the first line rubric has faded completely. Large initial "D" on recto opens a prayer. Prickings in the inner margin., Leaf from a Book of Hours with text opening to devotional prayers petitioning for Saint Anthony’s intercession., 1 column of 15 lines ruled in red ink written in Northern Textualis Gothic script. Change of hands on verso., and Purchased from Boyd Mackus of the Mackus Company, Springfield, Illinois, by Western Michigan University Special Collections, (M3404E).
- Date Created:
- [1500 TO 1599]
- Data Provider:
- Western Michigan University. Libraries
- Notes:
- Leaf was excised from a larger manuscript., On recto: in the middle of outer column there is a single five-line initial "h" in blue with red penwork details infilled with blue and red pen florishes, and red and blue decorations trailing up and down the column. Larger versal initials are sometimes tipped in ochre wash. Above the initial, running head "TE" alternating red and blue. On verso: The running head "DEV" (Deuteronomy) appears at the top of the page. Minor cuts to the outer edges of the leaf., Manuscript leaf from a Bible written in Latin during the 13th century, containing text from Deuteronomy 5:22-6:25., 2 column of 33 lines, ruled in plummet in Littera Gothica Textualis Formata with lateral compression., and Flanders or South Netherlands, possibly Tournai. Probably broken by Erich von Scherling (Scherling, 102; History of Western Script, 55). Von Sherling’s source seems to have been a bound fragment of leaves from Leviticus 3 to Judges 2. It must have been volume 1 of a 4 volume Bible, of which, 2-3 appear to be Brussels, Bibliothèque royale, MS II.2523, and volume 4 may be Los Angles, J. Paul Getty Museum MS Ludwig 1.9. The Brussels volumes had belonged to Sir Thomas Phillipps, who bought them in the late 1820s with the residue of the library of St Martin in Tournai, noting ruefully that the first volume had been sold in his absence and “destroyed by a bookseller at Brussels” (Phillipps, Catalogus Librorum Manuscriptorum, 1837, entry for MS 2011; A. N. L. Munby, Phillips Studies, III, 1954, 22, n. 1; C. de Hamel in Migrations, Medieval Manuscripts in New Zealand, ed. Hollis and Barratt, 2007, 42-3). The first item in the catalogue of St Martin’s abbey in Tournai in 1615 was ‘Biblia 4. Voluminibus” (Sanderus, Bibliotheca Belgica Manuscripta, 1, 1641, p. 91). The leaf was eventually sold by Swann Galleries (New York, 22 March 1990) as part of lot 75 to the celebrated manuscript collector, Martin Schøyen, in whose collection it was catalogued as Schøyen MS 82 (History of Western Scripts, 102).
- Data Provider:
- Western Michigan University. Libraries
- Notes:
- Chapter division unit beside the inner column on recto. Correction along outer column of recto. Cue mark for chapter 3 in red on verso. “Notas” annotation on verso., Housed in a mat frame (260 x 205 mm), visible on one side only with dealer’s prospectus on the back of the frame. Excised from a larger manuscript., 6-line historiated initial painting of Tobius, asleep. On recto: 5-line decorated initial in blue enclosing vines on a ground of orange; rubricated in red. Running head on recto reads "TOBIE" in alternating red and blue capitals, and on verso reads: "TO." On recto: 5-line initial P in blue with red pen florishes extending into the margins, 2-line initial T in red with blue pen florishes that extend the inner column and into the upper and lower margins. Pearl script on either side of the running title. Capitals touched in red. Guide letter for the Roman numberal III in the inner margin. Roman numbers alternate red and blue., A leaf from a small bible with painted initials before the prologue and first chapter of Tobit. The initials painted on this leaf are stylistically similar to the work of professional artists working in Paris, possibly Johannes Grusch atelier. Historiated initial illustrates Tobit, eyes closed and covered with a blanket, reclining in bed, enclosed by a hybrid animal. Intial decorated with marginal extenders., 2-column of 45 lines ruled in lead written in small gothic textualis (pearl script)., and Based on evidence in the text, this Bible was likely decorated by artists from Paris in the third quarter of the thirteenth century, c. 1250-1270. The motifs and colors used in the red and blue pen initials can be compared with Paris, BnF, MS lat. 16541 (Stirnemann, 1990, no. 39, and p. 70). The style of the painted initials can be compared most closely with the later products of the Johannes Grusch workshop, a rather diverse stylistic group active in the second and third quarters of the thirteenth century (Branner, 1977, appendix VK. pp. 222-223).
- Data Provider:
- Western Michigan University. Libraries