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- Description:
- Straight, low-waisted, heavily knife-pleated girl's silhouette dresses were very common in the early 1880's; men's suit fashions were also often reflected in women's clothing of the period.
- Date Issued:
- [1880 TO 1885]
- Data Provider:
- Wayne State University. Libraries and The Henry Ford
- Collection:
- Digital Dress Collection
- Date Issued:
- [1897 TO 1900]
- Data Provider:
- Wayne State University. Libraries and The Henry Ford
- Collection:
- Digital Dress Collection
- Description:
- This lovely, expensive girl's dress would have been worn for very special occasions and appears to have been seldom used.
- Date Issued:
- [1845 TO 1860]
- Data Provider:
- Wayne State University. Libraries and The Henry Ford
- Collection:
- Digital Dress Collection
- Description:
- According to the source of purchase, this conventional young boy's black knicker suit belonged to the Linsley Simpson family of Northford, Connecticut. Such Fauntleroy suits became popular after the publication of Frances Hodgson Burnett's "Little Lord Fauntleroy" in 1886. It is not likely that this blouse originally accompanied it - the knickers have buttonholes in the waistband for attaching a blouse waist, and this blouse has no buttons.
- Date Issued:
- [1885 TO 1900]
- Data Provider:
- Wayne State University. Libraries and The Henry Ford
- Collection:
- Digital Dress Collection
- Description:
- This hat belonged to Elizabeth Parke Firestone. Born in Decatur, Illinois in 1897 Elizabeth Parke married Harvey S. Firestone Jr., son of Firestone Tire and Rubber Company founder Harvey S. Firestone, in 1921.Once described by a friend as, "the most luxurious woman in the history of luxury," Elizabeth Parke Firestone's clothing collection illustrates her impeccable taste in fashion.
- Date Issued:
- [1940 TO 1944]
- Data Provider:
- Wayne State University. Libraries and The Henry Ford
- Collection:
- Digital Dress Collection
- Description:
- An attached mailing label reads: "From B. Shinberg, Gilbert Shoe Co., 151 Essex St., Haverhill, Mass." An included note indicates that that these were wedding slippers worn by a Mrs. Davis of Cambridge, MA around 1830. Shape of heel and toe suggest that the 1830 date is appropriate. White slipper/shoes such as this were typically used at weddings. The very slight wear corroborates this use.
- Date Issued:
- [1825 TO 1835]
- Data Provider:
- Wayne State University. Libraries and The Henry Ford
- Collection:
- Digital Dress Collection
- Date Issued:
- [1953 TO 1957]
- Data Provider:
- Wayne State University. Libraries and The Henry Ford
- Collection:
- Digital Dress Collection
- Description:
- "Undies", or casual morning wear to be worn at home, could be quite decorative and fancy in the 19th century. Loose fitting sacques or morning dress for women could be quite elaborate, including elegant footwear. Men, too, enjoyed robes and slippers that could be quite elaborate. Berlin work patterns for slippers were exceedingly popular circa 1850. These slippers are both expensive and quite elaborate for a middle-class man around 1850. They appear little worn. Benjamin Wheeler was, according to the donor, the original owner of these slippers. He was born about 1802 (although some documents put his birth at 1804) in either Maryland or Ireland (the seemingly same Benjamin Wheeler's birth place is listed as either place throughout the century.)He and Ellen, his wife, married at least by 1832; it is plausible that these slippers are part of his wedding clothes. The defined right and left suggest a later date, however. Wheeler moved to Zanesville, Ohio and worked as a laborer in a foundry, and in his sixties worked in a coal mine. His date of death is unclear, but is probably between 1870 and 1880.
- Date Issued:
- [1830 TO 1860]
- Data Provider:
- Wayne State University. Libraries and The Henry Ford
- Collection:
- Digital Dress Collection
- Description:
- According to the source, the dress fabric was originally made and embroidered around 1785, and made over in the early 19th century.
- Date Issued:
- [1825 TO 1829]
- Data Provider:
- Wayne State University. Libraries and The Henry Ford
- Collection:
- Digital Dress Collection
- Description:
- Powdery-blue or blue-grey satin evening gown. Floral embroidery of silver, pink and blue-grey colored metallic threads (some appear to be tarnished silver, others may be synthetic) decorated with iridescent rhinestones and tiny sequins. Embroidery diminishes towards bottom of dress; no embroidery at hemline. Skirt smooth and curved in front, gathered in back. At center-back waistline is a large asymmetrical vertical bow with attached sash. Corselet inside of bodice. Bodice stiffened with white cotton net. Skirt lined with white silk organza; four layers of white nylon stiffened with horse hair. Inside-skirt of white silk crepe. Clothing label: AUTOMNE-HIVER/Christian Dior/PARIS/MADE IN FRANCE. Stamped on label: 78059. This dress was made for Elizabeth Parke Firestone, daughter of Harvey Samuel Firestone, for the re-opening of the Vienna Opera House, which had been badly damaged during World War II. It was worn with a mik stole; the embroidery is an interpretation of 18th century Chinoiserie. Mrs. Firestone was photographed extensively in this dress. Life Magazine included photos of her in an article about the Vienna Opera re-opening, mentioning this gown specifically. A number of articles also discussed the extraordinary cost of the dress - it was said to cost $10,000, but this cannot be verified. Some columnists claimed that the dress was decorated with real diamonds, but it was not.
- Date Issued:
- 1955-01-01T00:00:00Z
- Data Provider:
- Wayne State University. Libraries and The Henry Ford
- Collection:
- Digital Dress Collection