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- Description:
- "Undies", or casual morning wear to be worn at home, could be quite decorative and fancy in the 19th century. Loose fitting sacques or morning dress for women could be quite elaborate, including elegant footwear. Men, too, enjoyed robes and slippers that could be quite elaborate. Berlin work patterns for slippers were exceedingly popular circa 1850. These slippers are both expensive and quite elaborate for a middle-class man around 1850. They appear little worn. Benjamin Wheeler was, according to the donor, the original owner of these slippers. He was born about 1802 (although some documents put his birth at 1804) in either Maryland or Ireland (the seemingly same Benjamin Wheeler's birth place is listed as either place throughout the century.)He and Ellen, his wife, married at least by 1832; it is plausible that these slippers are part of his wedding clothes. The defined right and left suggest a later date, however. Wheeler moved to Zanesville, Ohio and worked as a laborer in a foundry, and in his sixties worked in a coal mine. His date of death is unclear, but is probably between 1870 and 1880.
- Date Issued:
- [1830 TO 1860]
- Data Provider:
- Wayne State University. Libraries and The Henry Ford
- Collection:
- Digital Dress Collection
- Description:
- According to the source, the dress fabric was originally made and embroidered around 1785, and made over in the early 19th century.
- Date Issued:
- [1825 TO 1829]
- Data Provider:
- Wayne State University. Libraries and The Henry Ford
- Collection:
- Digital Dress Collection
- Description:
- Powdery-blue or blue-grey satin evening gown. Floral embroidery of silver, pink and blue-grey colored metallic threads (some appear to be tarnished silver, others may be synthetic) decorated with iridescent rhinestones and tiny sequins. Embroidery diminishes towards bottom of dress; no embroidery at hemline. Skirt smooth and curved in front, gathered in back. At center-back waistline is a large asymmetrical vertical bow with attached sash. Corselet inside of bodice. Bodice stiffened with white cotton net. Skirt lined with white silk organza; four layers of white nylon stiffened with horse hair. Inside-skirt of white silk crepe. Clothing label: AUTOMNE-HIVER/Christian Dior/PARIS/MADE IN FRANCE. Stamped on label: 78059. This dress was made for Elizabeth Parke Firestone, daughter of Harvey Samuel Firestone, for the re-opening of the Vienna Opera House, which had been badly damaged during World War II. It was worn with a mik stole; the embroidery is an interpretation of 18th century Chinoiserie. Mrs. Firestone was photographed extensively in this dress. Life Magazine included photos of her in an article about the Vienna Opera re-opening, mentioning this gown specifically. A number of articles also discussed the extraordinary cost of the dress - it was said to cost $10,000, but this cannot be verified. Some columnists claimed that the dress was decorated with real diamonds, but it was not.
- Date Issued:
- 1955-01-01T00:00:00Z
- Data Provider:
- Wayne State University. Libraries and The Henry Ford
- Collection:
- Digital Dress Collection
- Description:
- Pink georgette dress embroidered with aqua and silver bugle beads and rhinestones. Rhinestone bow at base of V-shaped neckline. Dropped waistline and uneven scalloped hemline. Very deep, curved V-shaped neckline in back. This dress is not labeled, but the design suggests that it might be a Peggy Hoyt.
- Date Issued:
- [1928 TO 1929]
- Data Provider:
- Wayne State University. Libraries and The Henry Ford
- Collection:
- Digital Dress Collection
- Date Issued:
- [1825 TO 1875]
- Data Provider:
- Wayne State University. Libraries and The Henry Ford
- Collection:
- Digital Dress Collection
- Description:
- Pale blue satin gown with embroidered floral patterns of 1/8 standing silver braid, silver beads, white and gray pearls, blue and silver thread. Embroidery applied heavily to create bands at strapless neckline and hem. Dress is straight with slight A shape towards hem. Cummerbund sash of fuschia pink faille, approximately twenty-two inches wide, gathered around waist. Large floor-length matching bow attaches to cummerbund; self-fringe at bottom. Clothing label: BALENCIAGA/10 AVENUE GEORGE V/PARIS. Handwritten on tag sewn on back of label: 37.098. A photograph shows Mrs. Firestone wearing this dress in 1950.This garment was owned by Elizabeth Parke Firestone, daughter of Mr. Harvey Firestone of Detroit, Michigan.
- Date Issued:
- 1950-01-01T00:00:00Z
- Data Provider:
- Wayne State University. Libraries and The Henry Ford
- Collection:
- Digital Dress Collection
- Description:
- Medium-blue floor-length silk chiffon dress with white spiral print. Some spirals embroidered with white beads and small iridescent sequins. V-shaped neckline edged with self-piping with self-fabric bow at base. Cap sleeves and shoulder pads. Seam at waist with separate self-fabric sash and bow. The chemise shown in the photograph is not the original.
- Date Issued:
- [1936 TO 1938]
- Data Provider:
- Wayne State University. Libraries and The Henry Ford
- Collection:
- Digital Dress Collection
- Description:
- Born in Decatur, Illinois in 1897 Elizabeth Parke married Harvey S. Firestone Jr., son of Firestone Tire and Rubber Company founder Harvey S. Firestone, in 1921.Once described by a friend as, "the most luxurious woman in the history of luxury," Elizabeth Parke Firestone's clothing collection illustrates her impeccable taste in fashion.
- Date Issued:
- [1925 TO 1936]
- Data Provider:
- Wayne State University. Libraries and The Henry Ford
- Collection:
- Digital Dress Collection
- Description:
- White cotton dress with wide, collar-less neck and slightly belled sleeves. Bodice and skirt gathered; tight gauging along center-front and center-back waist. Empty whalebone casing at center-front. Self-fabric piping at neck, waist and sleeves. White embroidery at hem; hem and cuffs finished with irregular scalloping and crochet trim. Two tucks on skirt. Bodice lined with plain-weave cotton; sleeves and skirt unlined. Bodice open at center-back; hammered-wire hook and eye closures. Hand-sewn. This young girl's dress was for parties and other special occasions, and was probably worn during the summer. The styling mimics adult women's fashions of the time. The sewing and gauging is exquisite.
- Date Issued:
- [1840 TO 1850]
- Data Provider:
- Wayne State University. Libraries and The Henry Ford
- Collection:
- Digital Dress Collection
- Description:
- The Henry Ford's only late eighteenth/early nineteenth century dress jacket with breeches.No waistcoat to go with the suit.Worn for very formal occasions, perhaps even for presentation at court.Embroidery clearly pieced.First sewn, then cut out, and finally applied to the jacket and breeches.Poor extensive repairs for a modern wearer.Perhaps at one time used for twentieth century theater productions.
- Date Issued:
- [1790 TO 1810]
- Data Provider:
- Wayne State University. Libraries and The Henry Ford
- Collection:
- Digital Dress Collection