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1. Towards the decolonization of the African film

Description:
This paper identifies the inalienable features which characterize the truly indigenous African film. It argues that the pre-eminence of the USA and India in the international movie marketplace translates into the colonization of both the medium and the industry in the importing country. It works out the rubrics for an African aesthetic of the film with examples from the works of leading African film makers.
Date Issued:
1991-01-01T00:00:00Z
Data Provider:
Michigan State University. Libraries
Collection:
Africa Media Review