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- Description:
- Michigan State University College of Music Professor Maria Cristina Fava delivers a talk entitled, "Drawing a Finer Point on 1930's Era Success: 'Pins and Needles' and the ILDWU's Lesson for the Theater Guild". Fava explains the relationship of the International Ladies Garment Workers Union and the Theatrer Guild in the production of the Off-Broadway show "Pins and Needles". Fava describes how the production evolved from a variety show with a cast of unionized garment workers in their off time to the cast giving up their jobs to become full time actors with the success of the show. She provides reviews by theater critics and describes how the cast navigated the politics of the day. A question and answer session follows. Fava is introduced by Michigan State University Professor John P. Beck. Part of the "Our Daily Work/Our Daily Lives" Brown Bag series sponsored by the MSU School of Human Resources and Labor Relations and the MSU Museum.
- Date Issued:
- 2012-10-12T00:00:00Z
- Data Provider:
- Michigan State University. Libraries
- Collection:
- G. Robert Vincent Voice Library Collection
- Description:
- Noted author Diane Glancy discusses her first movie project and reads from a journal she is keeping about her experiences as a novice movie maker. After showing a clip from the still unfinished movie (not included here), she takes questions from the audience. Introduced by MSU Anthropology Professor Susan Applegate Krouse. Part of the Michigan State University Libraries' Michigan Writers Series.
- Date Issued:
- 2010-02-22T00:00:00Z
- Data Provider:
- Michigan State University. Libraries
- Collection:
- G. Robert Vincent Voice Library Collection
- Description:
- Documentary filmmaker Peter Davis talks about his career, and his work to end Apartheid in South Africa. Peter Limb, MSU Libraries Area Studies Librarian, interviews Davis. Davis recalls his youth in London during WWII, university, teaching, and his move to film production. He explains how he became associated with Citizens Association for Racial Equality (C.A.R.E.) and developed an interest in Africa. Davis also describes film making in South Africa, the Soweto Uprising, his relationship with the Mandelas, and his efforts to preserve South African films. Part of the African Studies Interview Series sponsored by the MSU Libraries and the African Studies Center.
- Date Issued:
- 2004-04-13T00:00:00Z
- Data Provider:
- Michigan State University. Libraries
- Collection:
- G. Robert Vincent Voice Library Collection
- Description:
- Gabriel Dotto, Director of the Michigan State University Press, moderates a roundtable discussion which concludes a symposium entitled, Dramatization and Context: a Symposium and Roundtable held at the MSU Museum in conjunction with the premiere staging of the play Music history written by MSU College of Law Writer in Residence Sandra Seaton. Panelists are: Director John Lepard (Executive Director of the William Theatre); Aaron Todd Douglas (actor, director and part-time faculty at Loyola University Chicago); Rita Kiki Edozie (Associate Professor and Director of African American and African Studies at MSU); Rob Roznowski (MSU Department of Theatre); John Woodford (writer and executive editor of ‘Michigan Today’ retired); playwright Sandra Seaton. Speakers comment on the many challenges found in interpreting, directing and staging the play and how the work makes the black experience accessible and understandable to the audience. Questions and answers are interspersed throughout the discussion.
- Date Issued:
- 2010-11-20T00:00:00Z
- Data Provider:
- Michigan State University. Libraries
- Collection:
- G. Robert Vincent Voice Library Collection
- Description:
- Playwright and poet David James talks about fellow Michigan poet Jack Ridl, teaching and writing, producing his plays for the stage, existentialism, and his poem "Only so much no." James is interviewed by Michigan State University Librarian Michael Rodriguez for MSU Libraries' Michigan Writers Series. Held in the MSU Main Library.
- Date Issued:
- 2004-04-02T00:00:00Z
- Data Provider:
- Michigan State University. Libraries
- Collection:
- G. Robert Vincent Voice Library Collection
- Description:
- History of the African Theatre radio program on BBC
- Date Issued:
- 1997-01-01T00:00:00Z
- Data Provider:
- Michigan State University. Libraries
- Collection:
- Glendora Books Supplement
- Date Issued:
- 1995-01-01T00:00:00Z
- Data Provider:
- Michigan State University. Libraries
- Collection:
- Glendora Review
- Description:
- This paper presents the problems of film makers and film making in Nigeria and points out how the problems are militating against the prospects of the Nigerian film industry. It proposes a radical restructing of the film industry in Nigeria in order to facilitate its indigenous development. To this end, it suggests the nationalization of the film distribution and exhibition sections so as to achieve a viable integration of the whole industry and to promote it as a vehicle for cultural-and socio-economic development of the people of Nigeria.
- Date Issued:
- 1989-01-01T00:00:00Z
- Data Provider:
- Michigan State University. Libraries
- Collection:
- Africa Media Review
- Date Issued:
- 1985-01-01T00:00:00Z
- Data Provider:
- Michigan State University. Libraries
- Collection:
- Critical Arts
- Description:
- Gabriel Dotto, Director of the Michigan State University Press, moderates a roundtable discussion which concludes a symposium entitled, Dramatization and Context: a Symposium and Roundtable held at the MSU Museum in conjunction with the premiere staging of the play Music history written by MSU College of Law Writer in Residence Sandra Seaton. Panelists are: Director John Lepard (Executive Director of the William Theatre); Aaron Todd Douglas (actor, director and part-time faculty at Loyola University Chicago); Rita Kiki Edozie (Associate Professor and Director of African American and African Studies at MSU); Rob Roznowski (MSU Department of Theatre); John Woodford (writer and executive editor of ‘Michigan Today’ retired); playwright Sandra Seaton. Speakers comment on the many challenges found in interpreting, directing and staging the play and how the work makes the black experience accessible and understandable to the audience. Questions and answers are interspersed throughout the discussion.
- Date Issued:
- 2010-11-20T00:00:00Z
- Data Provider:
- Michigan State University. Libraries
- Collection:
- G. Robert Vincent Voice Library Collection